Stonington Borough Photo Workshop Series
One: Saturday, May 26, 2018
Two: Saturday, June 2, 2018
Three: Saturday, June 9, 2018
6:00 AM - 1:00 PM
If you cherish lovingly preserved colonial, Federal and Greek-revival architecture, this is a wonderful place to photograph. Stonington is charming beyond words and sits at a geographically compact seaside location on Little Narragansett Bay.
$145 each for Class One and Class Three.
Class Two is $170 which includes a $25 location fee
$400 for all three (a $60 discount)
(United Church members receive a 15% discount. Please call to book.)
Students will shoot on their own from 6:00 AM until 9:00 AM. At that point, everyone returns to a location and will have an hour to independently review images. From 10:00 AM until 12:00 PM, we will project images for the entire class to view, critique and learn from as we discuss the elements that go into making a successful picture.
About this workshop series
This three-part photography workshop series will challenge you to create three distinct bodies of work. The goal is to:
- end up with three images from each class that can hang together as a wall series, and
- create artwork that looks like it all came from the same photographer
In other words, you'll discover how having a pre-determined task affects the creating, editing and cropping of images to imprint your eye and your personality on a select group of pictures. This is a lot harder than it sounds!
I'm asking students to create a small body of work for this class to encourage printing. It's great to create an online Instagram portfolio, but if you have nothing on your walls in print, you miss out on enjoying prints in the real world. I want you to have analog art that you created. I want you to have something that you will frame with care and attention to detail. I want you to go through the process of choosing not only the images, but the size, color of matting (if any) and type of framing. My little house is filled with printed photographs I've made over the last two decades and every day they bring me joy. I want you to feel the same about what you create.
This is a confidence-building, structured workshop for photographers of all levels who enjoy working outdoors, rain or shine. Although this runs as a three-part series, you are welcome to participate in just one or two workshops if that suits your schedule.
As you can see below, each Saturday shoot has a theme. But like all the rules in photography, they are made to be broken. If you prefer not to work under this kind of structure or "assignment," you are welcome to shoot what speaks to you.
Remember that great images are not about equipment; they're about composition, light, mood and messages. Any kind of digital camera will work.
I recommend every photographer shoot in RAW mode, if available in your camera. It's not mandatory, but it will give you so much greater control in the back-end processing.
Class One - the home & garden
The first class will focus on a "house and garden" theme. The photographer will concentrate on how the garden enhances - or even detracts from - the presence of a house or barn or church or shop. Images could be closeups of a single window pane framing a sunflower or brick steps enhanced by potted plants or a curved driveway's leading lines.
Imagine you've just been hired by a magazine to capture the feel of a place. Think image framing. Think about what makes Stonington special. It could be a series of doorways. It could be different paint patterns on shingles. It could be porticoes on the main square shot close up but with a wide angle lens.
Class Two - harpsichords and harbors
We begin today at the last functional commercial fishing harbor in the state of Connecticut. Early morning is a great time to catch soft light and pastel color around really interesting textures and patterns.
The second part of the morning includes a real treat. We get special access to the interior of an old-world harpsichord factory where they make and repair harpsichords. The extra fee for this class pays for off-hours shop time and one worker who has agreed to come in and model for us. We only have an hour, so prepare to work fast and carefully! I highly recommend you use a tripod or at least a monopod for sharp, long exposures.
Class Three - macro and abstract
Who doesn't love macro photography? It's a favorite for so many. Why? Because you can get really artistic by zooming way in. If you have a macro lens and you like looking at detail, this is for you.
Thinking macro also encourages you to think abstract. All of a sudden a picture becomes about subtelty of color, shape and texture. It can be about a single blade of grass with a drop of water at the tip or a spider web with dew drops or patterns of age in an old wooden board. I highly recommend you work with a tripod for macro. It slows you down, really makes you look and compose thoughtfully.
What to bring
SLR or iPhone or any other digital camera
Instagram filters: if this is how you like to work, bring it on
Suggested lenses: wide angle zoom, standard zoom, macro lens
Rain gear if necessary
Computer for reviewing, cropping or editing images
About the workshop leader
I am Koren, a professional photographer from New York City who transplanted to Rhode Island in 2015. When I jumped feet-first into photography in 2002, the photo workshops I took early in my career made the biggest impact on me. I not only loved the camaraderie, I learned so much by looking at and discussing other photographers' work.
So here I am, sixteen years later and hopefully a little wiser. It's my turn to create opportunities for other aspiring photographers to come together in a charming place to create art that means something to us. It's a chance to learn, get inspired, get encouragement, generate ideas, craft solutions and grow as an artist.
These workshops will run rain or shine, so dress appropriately. Some of the most magnificent images reveal themselves in rain. Cold weather drains batteries quickly, so bring extra if the temps drop.
All participants (and parents of minors) must sign a waiver that releases me and our host location from liability. This will be emailed to you once your registration and payment go through.
Full tuition reimbursement paid seven (7) days or more before the workshop date. Fifty percent (50%) reimbursement will be paid for cancellations seventy-two (72) hours or fewer before workshop start time. Fees paid by no-shows and cancellations with fewer than seventy-two hours before the workshop start date are forfeited.
Email me firstname.lastname@example.org
Call me (917) 861-9052